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dc.contributor.authorRispoli, Ernesto Ramon
dc.date.accessioned2018-11-16T14:12:31Z
dc.date.available2018-11-16T14:12:31Z
dc.date.created2017
dc.date.issued2017
dc.identifier.issn2462-2613
dc.identifier.urihttp://hdl.handle.net/20.500.12082/852
dc.description.abstractSince the 1950s, two conceptions of design - the embellishment of artifacts and the functionalist problem-solving - have been progressively imposing themselves as hegemonic. In recent years, nonetheless, the consciousness of the social and environmental unbalances provoked by neo-liberal capitalism has fostered the emergence of new perspectives that may be defined as counter-hegemonic inasmuch as they challenge such dominant paradigms. Rather than being mere technicians or creative geniuses, the designers are turning themselves into agents of material, socio-cultural, and political transformation. What are the premises and objectives underlying these perspectives? How do they concretely engage with the hegemonic modes of design?en
dc.format.extent7 p.ca_ES
dc.language.isoenca_ES
dc.publisherResearch Group Design Processes. Advanced Practices in Design & Art; EINA Centre Universitari de Disseny i Art de Barcelonaca_ES
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 International*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectDisseny -- Metodologiaca_ES
dc.titleDesigning dissent: some counter-hegemonic tactics in contemporary designca_ES
dc.typearticleca_ES
dc.typepublishedVersion*
dcterms.isFormatOfReproducció del document publicat a: http://designprocesses.org/index.php/journal/article/view/61ca_ES
dcterms.isPartOfJournal of design processes. Vol. 3, no. 1 (2017), p. 74-80ca_ES
dc.rights.accessRightsopenAccessca_ES


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